Category Archives: Dr. Katherine Dunham Celebrated by La Danse Noire and The Dunham Institute Atlanta

The Late Dr. Katherine Dunham – International Dance Icon Has Her “Legacy-Inspired” Day in Atlanta…

banner photo people La Danse Noiretop plaquesignagedunham posterDr. Katherine Dunham is often regarded as the “Mother of Dance” for black people or African Americans. Dr. Katherine Dunham was world famous for her mastery of European Ballet and Modern Dance. Ms. Dunham went on from there to “legitimize” Caribbean ,  African and ethnic South American dance. She was also instrumental in integrating technique from Big Band Era movement, Asian studies in Martial Arts and pop–culture interpretations in every kind of lady’s shoe available.

expression dancerWhat typifies Dr. Dunham’s dedication to her art form was the fact that she could demonstrate ethnic dance and defend it (at the time) at any university. Dr. Katherine Dunham was an accomplished sociocultural anthropologist with a doctorate from the University of Chicago.

Carolyn“A Day of Dunham” was organized by Ms. Carol Lloyd who masterminded a very detailed tribute to Dr. Dunham and her “family-practitioners” of the Katherine Dunham “technique” of international dance. The day long tribute included panel discussions and dance demonstrations emphasizing the 1) historic relevance of Dr. Dunham, 2) her pop-culture and academically accepted dance techniques, and 3) the journeys of experiences of her company’s featured artists as master dancers in the world renowned art form. This extremely rare dance art form engagement by so many certified Dunham Technique Instructors and Scholars for the public was historic. The panels and the demonstration(s) were offered from 9 a.m. to 7:30 p.m.

seasoned“A Day of Dunham” also included the Awards Dinner which was a gala celebration with a theme, “Restoring the Legacy” from 9:30 p.m. to 11:30 p.m. This was an event that I will never forget. Today it is often said that we understand what our fore-bearers did for us — struggling to survive chattel slavery, racism, Jim Crow, dismantled businesses getting ready for integration — and we say that, “we stand on the shoulders of those who came before us” but we rarely identify the individual set of shoulders with any depth to indicate what he or she did instrumentally or how well we are doing with the individual or collective legacies that we are empowered to preserve (?).

whirling dancers

KimThe highly selective program included a reception which featured the Sinfo-Nia Youth Orchestra.

RutledgeMaster of Ceremonies was included amazing curators of Dunham… information: Kim Burleson and co-hosts were Leslie Isaacs McCoy and Walter Rutledge.

The BandThe band the Russell Gunn Jazz Ensemble played classic Miles Davis and thoroughly impressed all in the spirit of great music and dance.

Frances micThe Soweto Street Beat and the Elevated Places Dance Company performed a “Tribute to Katherine Dunham”.

 

penny micThe Dunham “people” who were recognized included: AL Phillips (introduced by Anne Walker), Archie Savage (introduced by Xavier DeMar), Vanoye Aikens (The Dunham Technique Board of Certification), Vanoye Aikens

scholarship winnersotisLegacy Scholarship Award (Carolyn Lloyd), Valjeanne Grigsby (Jai’Len Josey), Community Service Award (Edeliegba), Otis Sallid (Amazing Grace Dance Company),

 

Trina ParksTrina Parks & Ed Brown (AREA Dance Company), Elizabeth “Frances” Taylor Davis (Veronica Russ and Russell Gunn Jazz Ensemble).

 

poster areaThis awards ceremony and dinner-dance affair was an intimate celebration of the life and contributions of Dr. Katherine Dunham who is often regarded as the “Mother of Dance” for African Americans because of her national and international recognition and her contributions to the art form as a cultural anthropologist.

trio

The “family reunion” aspect of the evening included recognition of the Dunham staff, dancers and associates. There was mention that Katherine Dunham had performed in 50 countries. We can only imagine even today how organized and busy the dancers and company was.

commuity gatheringThe night was tasteful, sensitive, revering Dr. Dunham and those who had traveled the around the world many times over through dance by young companies and living legends. The commodity of the historic Katherine Dunham Dance Company is what is referred to as the “Dunham Technique”. This technique and dance proficiency embodied signature movements of the Dame (Diva of Dance) and her (on the one side) uncompromising technical integrity of the European classical and modern dance forms which she blended into fluid appreciation and adaptations of Caribbean, African, Martial Arts, Big Band Era Pop-Culture Trends, Hollywood Stylized Movement Genres and “world-dance” gestures and interpretations also. Dr. Katherine Dunham essentially verified that black folks could contribute to ballet and demonstrate world dance never seen before with the passion and dignity it deserved.

The DJ who allowed us to “party” after the Awards Dinner was from Third World Production.

Yale University  comments about, Who was Katherine Dunham?

“As a strident activist for racial equality throughout her lifetime, Dunham used the mediums, of teaching, choreography and community-based arts centers as a vehicle to instill an ethos of toleration and critical engagement with the world in both children and adults.

seasoned 2This is a work that she continues to this day, even at the age of 95. Dunham saw a historical analog between the ways that religion and the cultural form of the dance was critical to the liberation of the Haitian people and how they were instrumental to the survival of United States blacks in the pre and post-Emancipation eras. Therefore, her interest in the relation between cultural forms and social functionality was not merely intellectual, but political and personal as well. Nurtured under the guidance of Chicago’s social anthropology luminaries, Dunham’s interrogation of the relation between form and function in dance rituals has interesting parallels with the symbolic approaches of Victor Turner and Clifford Geertz.”

Interview with Albirda Rose Hardt, Ph.D.

Katherine Dunham House

Research more…

Yale University

http://classes.yale.edu/03-04/anth500b/projects/project_sites/04_Parker/DunhamFinalProject.html

NY Times Newspaper

http://www.nytimes.com/2006/05/23/arts/dance/23dunham.html?pagewanted=all&_r=0

Google

https://www.google.com/?gws_rd=ssl#q=+dr.+katherine+dunham+and+cultural+anthropology

Contact

Robert Walker
Carol Lloyd Comments…

Calvin,

Thank you for taking the time to recap that magical night.  It was an amazing experience, one that will remain with me forever. 

I am truly honored and grateful that the ancestors chose us as the conduits to bring forth the majesty of the moment.  It was a sacrifice worth making, and your articulation of it brings it to life for others who were not present.  Frances Taylor Davis is an icon who is not only very appreciative of this honor but deserving as well.  In addition, Trina Parks, Ed Brown, Otis Sallid and others recognized during the event are our pioneers of today. 

Their service in the Black dance idiom merits recognition and honor.  For me, I was especially pleased to be able to present so many youth on the program.  From Sinfo-Nia Youth Orchestra to Elevated Places Dance Company and the dynamic presentation of A R E A, we gave the best that Atlanta had on that stage on the 25th.  Also, the panel discussions and Dunham Technique dance workshops were well attended too.  “A Day of Dunham:  Restoring the Legacy” was rich with many combined legacies and left us all inspired for years to come.  For this, we are eternally grateful! –Blessings & Purpose!